Voltaire and Catherine the Great discuss American democracy …

Wim’s new play Wiser than the Night is a witty and sweeping drama of ideas that asks a trenchant question about democracy: “What went wrong?”

Set in 1981 in the wake of Ronald Reagan’s election, Wiser than the Night brings together events of the Bolshevik Revolution, Stalinist tyranny, Russian folklore, and American history and politics. It includes the historical figures Catherine the Great, Peter III, Potemkin, and Voltaire. In one scene, Voltaire pays Catherine the Great a visit from the afterlife to discuss the future of American democracy. Their chat becomes more than a little prescient.

VOLTAIRE: What have I missed since I’ve been dead? How are those upstart American colonies doing, now that they’ve declared their independence? How fares their war against Britain?

CATHERINE: They might just win.

VOLTAIRE: Have they chosen a king yet?

CATHERINE: It doesn’t appear that they want one.

VOLTAIRE: Ha. Dr. Franklin said so when we met. I thought he was joking.

CATHERINE: They aim to become a republic of sorts. Don’t you approve?

VOLTAIRE: The question is, are they ready? I doubt it very much. An enlightened monarch is what they need.

CATHERINE: Where would they look to find one?

VOLTAIRE: To the noble houses of Europe, naturally. There are plenty of dynastic pretenders to choose from. What about your son? Might he be looking for something to keep him busy? A sort of—hobby, maybe?

CATHERINE: Aside from trying to murder his dear mother? I’m not that lucky. Anyway, I don’t think America would have him.

VOLTAIRE: Surely they don’t fancy choosing somebody from their own population—a common bourgeois merchant or planter or blacksmith or some backwoods trapper. What would they even call him? A chairman, a foreman, an overseer, a boss, a—president?

CATHERINE: Maybe they can do without one altogether.

VOLTAIRE: Oh, really—

CATHERINE: How can anybody know till it’s been tried? No more of this—this breeding of monarchs as livestock and pretending God picks and chooses. Surely the world has had enough of that. Perhaps the people of America can learn to govern themselves.

VOLTAIRE: Now you’re scaring me. A government must certainly be for the people—that’s what “consent of the governed” means. But a government by the people, and purely of the people? You’re talking about anarchy, my friend—no, something worse, democracy.

CATHERINE: Why not? It worked in ancient Athens.

VOLTAIRE: Yes, in a cozy little city state where everybody knew everybody else, but not in a bustling frontier teetering on the brink of savagery. Oh, this “all men are created equal” business is well and good, but just between you and me, there’s plenty of evidence against it. And anyway, it would take a powerful king to make this equality thing really work. A philosopher king isn’t out of the question—they do turn up now and again. Look at you, you’ve got an excellent head on your shoulders. But a whole nation of philosopher citizens? Don’t put money on it. Here’s a thought. What about pure democracy tempered by absolute despotism? No, don’t sneer at the idea. That sniveling sentimentalist Rousseau got one thing right. People must sometimes be forced to be free.

CATHERINE: But forced by whom? That seems to be the problem of America itself.

VOLTAIRE: Indeed, and it’s likely to continue so. They’ll have to get rid of slavery somehow, but what happens then? After a couple of centuries of strife and striving, lurching between the giddiness of progress and stomach-churning failure, I fear Americans will tire of the fight and surrender to their own basest instincts and become a nation of puppets. And the puppeteer they choose for their leader will be nothing but a puppet himself, a hollow automaton with neither mind nor will nor purpose, a demagogic fool ranting through his teeth and flailing his limbs and yanking his subjects’ strings in random idiotic fury.

*

A complete PDF of Wiser than the Night can be downloaded HERE.

A Playwright’s Predicament

“Who are you writing for?”

A respected friend of mine asked me that after reading my new play, Wiser than the Night. As it happened, Pat and I were discussing that very question over breakfast that very morning. It’s a good question, I suppose. Maybe even the only question. I’ve always believed that writers must always write for themselves, then hope for the grace of kindred spirits for readers, however few those readers might be—or in the case of a play, however small the audience.

As I worked on this play, I found myself thinking about what Simone de Beauvoir wrote about Sartre’s The Flies (a play I’m pretty obsessed with):

“The real function of the theater, Sartre thought at the time, is to appeal to those who share a common predicament with the playwright.”

Sartre’s “predicament” was that of a patriotic resistance fighter in Vichy France. My predicament is that of a 70-year-old man who has lived through enough of this split second we presume to call “human history” to be puzzled by its fruits, staring down the barrel of an awful future for humanity.

The action of Wiser than the Night ranges from the 18th-century Enlightenment to the election of President Ronald Reagan. Its characters include an elderly Russian dancer who survived the Russian Revolution, and also Catherine the Great and the French philosophe Voltaire.

“Why Voltaire?” I’ve been asked.

I was raised to revere the influence of Enlightenment thinkers on the world of ideas, especially our civic values and our systems of governance—and Voltaire is the Enlightenment personified. Like a character in my play, I find myself wanting to ask Voltaire, “What went wrong?” How did an epoch that began with the United States Constitution and the French Déclaration des droits de l’Homme et du citoyen bring us to the ascendency of Viktor Orbán, Vladimir Putin, and Donald Trump?

I don’t have an answer to that question, but in my own mind, it’s what Wiser than the Night is all about. And it’s a question that must be asked.

If only I can find an audience, however small, that shares my “predicament” …

—Wim

Download a PDF of the play Wiser than the Night HERE.

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