Llixgrijb: The Story that Got Away

By the time we’d published a few issues of The Jamais Vu Papers newsletter, we’d talked with several brilliant and open-minded people, posing nosy questions about the nature of reality, Story, and just what we think we’re doing in this tangle of phenomena that we call a universe.

Then an entity named Llixgrijb turned up in our story.

We thought we were making him up.

We were wrong.

Here’s the premise:

Living in a reality of which we know nothing, an entity named Llixgrijb becomes trapped alone in an extra-dimensional cave-in. The entity is faced with the inexorable prospect of untold purgatorial eternities of infinite loneliness and boredom. What would you do if you were Llixgrijb? We ventured a guess:

“You’d create worlds in your imagination, worlds within yourself. You’d create universes with exotic dimensions no one ever dreamed of before. You’d become strange creatures, and share the company of other such creatures. You’d try to make these realms and beings so real you could completely forget the horror and boredom of your real situation.”

So Llixgrijb created a world—our world, in fact. Real though we may imagine ourselves to be, we are nothing but intricately flawed manifestations of Llixgrijb’s imagination. Our reality worked out nicely for Llixgrijb—an entertaining distraction from its cosmic plight. But Llixgrijb had one worry. The entity knew that if any one of us illusory mortals should become aware of its existence, the splendid fantasy would vanish. So how could Llixgrijb keep this from happening?

The answer was so obvious that you’ve probably guessed it already:

“It created a character so obtuse, so unimaginative, so dull and mechanistic that it could never figure out its own true dilemma.”

That’s right—Llixgrijb had to incarnate in the form of a college English instructor. Thus was created Llixgrijb’s alter-ego, Professor Joseph Xavier Brillig, the most obtuse academic in the histories of a bazillion universes. Having no idea of his true identity, Brillig joined our cast of characters.

We were a little worried about Llixgrijb. Was the whole idea too silly for reader consumption? Would our newsletter be scoffed out of existence? Or to the contrary, might the very concept of Llixgrijb put reality itself in perpetual danger of unraveling?

It seems that the latter was the case. We started getting the message when Wim visited physicist Fred Alan Wolf, hoping to interview him for the newsletter. Wim warily started telling Wolf all about Llixgrijb, bracing himself for a reaction of impolite incredulity.

“Oh, you don’t have to tell me about Llixgrijb,” Wolf said. “I’ve known Llixgrijb for years. Let me tell you all about Llixgrijb.”

The National Book Award-winning physicist then went on to describe Llixgrijb in intimate detail. Thus was confirmed the independent reality of a creature we thought we’d invented.

Llixgrijb escaped from the story. It wandered away and remains at large today. Decades after we first created (or discovered?) the entity who dreams our reality into being, Llixgrijb continues to crop up in the infoworld. We’ve come across Llixgrijb …

writing a blog

playing music

tweeting

offering to be a pen pal

answering questions

playing chess

… and appearing in various adaptations.

The lesson is this: Never underestimate the power of Story to alter the nature of reality. Alas, the lesson came with dire consequences. With so many mortals aware of Llixgrijb’s existence, how can our reality—time, space, matter, energy, mortal consciousness, the whole enchilada—continue to exist? Llixgrijb might zap us out of existence at any second.

Indeed, that outcome seems all too probable …

… perhaps even inevitable.

CLICK for prints of Coyote/Llixgrijb and other illustrations from The Jamais Vu Papers.

Living Story

Even while we wrote about Story for PragMagic, we were living it for our newsletter, The Jamais Vu Papers.

Updating material from Brain/Mind Bulletin for PragMagic put us in touch with fascinating people. We began to contact some of them along with friends about appearing in the newsletter. Issue by issue, we learned how to incorporate the interviews we did into our story. Soon, the story began turning around the interviews. We were learning about story as a living experience and we’ve been thinking about it ever since.

What is Story?

What is a story? What effect does Story have on those who tell and those who listen?

What is Story to you? What is it, what does it mean to tell one, what effect does it have in the world? How much of life, of the world, is story, and nothing else besides? We welcome your comments.

Stories begin

1986—Pat     An ending. Three years of fun with literature and film and artworks and the writings of physicists, of making art and winning a couple of awards, of piecing thoughts together on paper, left me with a PhD in Art Theory and Criticism from the University of Georgia. My first degree in art, it marked the end of my art-teaching years. My shiny new credentials didn’t lead to an exciting new job, so I contacted a woman I’d heard lecture, talked her into hiring me, and drove over to Los Angeles.

A beginning … of many new beginnings. And an excellent move, because Wim and I met and married while we were both working on Marilyn Ferguson‘s newsletter, Brain/Mind Bulletin. When we got the contract for PragMagic, we had to bring some structure to the 10-year accumulation of material we were updating, adapting, and commenting on.  We decided to start with a section called “The Power of Story.”

We wrote about how the stories that run through our minds affect our lives. Drawing on research, commentary, and experience, we described ways of modifying those stories. (Though similar notions are lately called “secrets” and “the law” these ideas had been around a long time even when we wrote about them.) Here’s how that section started. (download pdf file)

So our lives together began with Story. Which would naturally lead to mutant foxes.

Living Now

We have great news. Our forthcoming novel, Mayan Interface, has won the Silver Medal in the Adventure Fiction category of the 2021 Living Now Book Awards. Here’s a thought from the founders of the awards:

 “Books are an important tool for gaining knowledge about life-improvement goals, and the Living Now Book Award results announcement is a must-read list for helping us achieve those goals.”

 We’re delighted to have attained “must-read” status even before our book’s publication! We’ll keep you informed about the release of Mayan Interface, which is scheduled for September.

Stone Arch at Kabah

It’s been a while since we climbed pyramids and stood in that stone gateway that led us into this story. You’ll see more about all that on the book page.

Mayan Interface

It’s All Story

Neofoxes may actually be said to be specialists in one thing: Story.

Telling, hearing, finding, living … Story.

The first book we worked on together was PragMagic (Pocket Books, 1991). We distilled a decade of reporting that had appeared in Marilyn Ferguson’s Brain/Mind Bulletin, a newsletter that had become a clearinghouse for all kinds of research and discoveries in science, health, creativity, psychology, social sciences, and education. We took this information and turned it into a whopper of a self-help book. Throughout the book we emphasized Story: How can this or that piece of information be used to enrich the story of your life?

We still see the primacy of Story reasserted all over the place. I’m just now looking at a video of the legendary split-brain research pioneer Michael S. Gazzaniga talking about “your storytelling brain,” and how the human is a “storytelling animal.” And it doesn’t much matter whether our stories are “real” or “made-up.”

We once had the privilege of collaborating with cognitive philosopher Daniel C. Dennett on an experimental essay/story called “Media-Neutral,” which eventually appeared in our first novel The Jamais Vu Papers. In it, a psychiatrist discovers that he’s a character in a book—The Jamais Vu Papers, in fact. Desperate to understand how being fictional affects his life, our character goes to Dennett for advice. “Media-Neutral” was great fun to work on, and Dennett threw himself into his therapist-philosopher role wholeheartedly. (The piece was reprinted in Speculations: The Reality Club 1click to download.) Continue reading